A Tribute Through Art: Jyotiranjan Gudia’s Painting of Pradyumna Bal at KISS

A Young Artist's Tribute to a Visionary Leader

In 2016, a young and talented artist, Jyotiranjan Gudia, studying in +3 second year at the Kalinga Institute of Social Sciences (KISS), created a remarkable painting of the late Pradyumna Bal a respected journalist, politician and founder of the progressive Odia newspaper Pragatibadi. This tribute stands not only as an artistic achievement but also as a heartfelt acknowledgment of a pioneering figure who dedicated his life to truth, reform and progress.

About Jyotiranjan Gudia

Jyotiranjan Gudia is a state-level award-winning artist who has brought great pride to KISS through his exceptional talent. Known for his speed-sketching skills, he has created portraits of many renowned national and international personalities within minutes. Among those who have received his sketches are famous actresses like Ashley Judd and Vidya Balan, both of whom have visited KISS and appreciated his artistic gift. His artwork is not only technically impressive but also emotionally resonant. This portrait of Pradyumna Bal, marked with the vibrant colors of the Indian flag in the background, captures the essence of a man who stood for democratic values, free speech and social justice.

Pradyumna Bal: The Voice of Progress

Late Pradyumna Bal was a veteran journalist, former Member of Parliament and founder of "Pragatibadi", a progressive Odia weekly. Throughout his life, he was a staunch advocate for transparency, accountability and social justice. His writings and public service inspired generations in Odisha and beyond. His newspaper Pragatibadi was instrumental in promoting rational thinking and challenging oppressive systems. It gave a platform to voices that often went unheard in mainstream media. Honoring such a man through art is a fitting gesture, especially from a student of an institution built on the same principles of equity and empowerment.

KISS: A Cradle of Talent and Transformation

The Kalinga Institute of Social Sciences (KISS), located in Bhubaneswar, Odisha, is one of the largest educational institutions in the world dedicated exclusively to tribal children. Founded by Dr. Achyuta Samanta, KISS has empowered thousands of underprivileged students through free education, accommodation and holistic development. KISS doesn't just foster academic excellence it nurtures talent in arts, sports, leadership and innovation. Students like Jyotiranjan Gudia are shining examples of what happens when creativity meets opportunity. Through platforms at KISS, such students are able to reach national and international recognition.

Artists and Change-Makers: When Worlds Collide

Jyotiranjan’s sketches of global personalities like Ashley Judd, a UN Goodwill Ambassador and advocate for women's rights and Vidya Balan, a National Award-winning actress known for her roles in empowering cinema, reflect how art can connect diverse worlds one of tribal roots and another of global activism. Such moments are symbolic. When a tribal student from Odisha presents a hand-drawn portrait to an international figure, it is more than a gift it is a message of dignity, talent and hope. The painting of Pradyumna Bal by Jyotiranjan Gudia is more than just a portrait. It is a symbol of gratitude, inspiration and empowerment. It reminds us of the deep impact that visionary leaders, transformative institutions like KISS and young artists can have on society.

 

A Journey of Growth and Empowerment: Jyotiranjan Gudia at KISS, 2017

Jyotiranjan Gudia at KISS, back site of main field and in front of pond in 2017. 

            This photograph, taken in 2017, captures Jyotiranjan Gudia standing near the back side of the KISS (Kalinga Institute of Social Sciences) main field, just in front of the well-known KISS pond. Clad in a light blue formal shirt paired with navy blue trousers and black shoes, Jyotiranjan exudes a calm and confident demeanor. Leaning casually against a tree, he poses with a pleasant smile, blending into the natural environment filled with blooming bougainvillea and dry foliage. The photo reflects not only his personal style but also a moment of peace and pride during his academic journey. At the time this picture was taken, Jyotiranjan Gudia was pursuing his Master of Arts in Political Science at KISS. As an MA first-year student, he was immersed in the study of political theory, governance and public administration, developing a deeper understanding of socio-political dynamics particularly those affecting indigenous and underprivileged communities. His posture and attire in the photograph hint at his serious commitment to academic growth, while the relaxed setting shows his ability to stay grounded and humble in a vibrant campus environment.

                Jyotiranjan's educational journey at KISS was not just about classroom learning; it was also shaped by the inclusive ethos and mission of the institute. KISS, based in Bhubaneswar, Odisha, is the world’s largest fully residential educational institution for tribal children. It offers free education, accommodation, food, healthcare and vocational training from kindergarten to postgraduate levels. KISS empowers students from marginalized communities, helping them break the cycle of poverty through education. This unique model has transformed thousands of lives, including that of Jyotiranjan, by providing access to quality education and a nurturing environment. The lush and serene backdrop of this photograph also symbolizes the institute’s commitment to maintaining a natural and welcoming atmosphere for its students. The flowering bushes and open spaces create a refreshing contrast to the often-harsh realities many KISS students come from. Such an environment contributes significantly to the mental well-being and holistic development of students. Jyotiranjan, like many of his peers, found a second home at KISS one where he could dream, grow and prepare to contribute meaningfully to society.

            In summary, this image is more than just a photograph it’s a snapshot of transformation, resilience and hope. Jyotiranjan Gudia’s journey at KISS represents the spirit of many tribal youths who, given the right support and opportunities, rise to become thoughtful, educated and socially conscious individuals. KISS, as an institution, stands tall as a beacon of inclusive education and empowerment. It continues to nurture future leaders and change-makers from the most remote and underserved corners of India.

From Village Hills to Higher Learning: The Journey of Jyotiranjan Gudia 

Jyotiranjan Gudia

        This picture shows Jyotiranjan Gudia in a village setting, herding cows in the hill area. He is wearing a green shirt and has a turban tied on his head, holding a stick across his shoulders, which is a common sight in rural life. The background shows rocky hills and greenery, where cattle are grazing peacefully. The photo captures the simplicity of village life and reflects the close bond between people and nature. It is not just a photograph but a memory of childhood days filled with responsibility, learning and connection with the land. From the description, this moment belongs to Jyotiranjan’s school days when he used to return home and his grandfather would send him to take the cows and goats for grazing, especially during vacations. This shows how village children often balance their studies with household and agricultural duties. For Jyotiranjan, this experience was not just a daily chore but part of his upbringing, which instilled in him values of discipline, hard work and responsibility from a young age. These duties shaped his character and helped him remain grounded even as he advanced in his academic journey.

        Living in a village style during his primary school days gave Jyotiranjan a deep understanding of rural culture and lifestyle. Unlike urban children, who are often distanced from agricultural practices, he grew up closely observing and participating in them. Herding cows and goats in the hills required patience, alertness and care, which are qualities that later contribute to one’s maturity. Such experiences also connected him strongly with nature, as he spent hours in open fields, hills and forests, learning the rhythm of rural life.

        This photograph also symbolizes the journey of a boy who once looked after cattle in his village and later grew into a scholar with academic aspirations. Jyotiranjan Gudia’s life reflects the transformation from simplicity to scholarship, from village fields to university libraries. Yet, the memory of his childhood in the hills remains an important part of his identity. It highlights that education does not erase one’s roots but rather builds upon them, carrying forward the lessons of resilience, humility and adaptability. In a broader sense, this picture of Jyotiranjan represents the story of many children from rural India who grow up in similar circumstances. Balancing education with family responsibilities is never easy, yet it makes them strong and determined individuals. For Jyotiranjan, the days of herding cows in the hills were not just about helping his family but also about learning life’s simple truths. This photograph is thus a reminder of his beginnings, a testament to the strength of rural upbringing and a proud symbol of how far he has come.

 An Artistic Exchange at KISS: A Portrait of Cultural Friendship

        Art has the power to cross boundaries, create friendships and preserve memories. In 2015, an inspiring cultural exchange unfolded at the Kalinga Institute of Social Sciences (KISS), Bhubaneswar. A visiting artist from Madhya Pradesh, well-known for his work in Madhubani painting, came to KISS along with his mother to share their traditional art form with tribal students. This interaction became an unforgettable experience for both the visiting artist and the students, especially for one young artist, Jyotiranjan Gudia, who made a lasting impression through his gift of art. During their stay at KISS, the Madhya Pradesh artist and his mother conducted workshops on Madhubani painting. Students learned the intricate techniques, motifs and symbolic patterns that make Madhubani one of India’s most celebrated folk-art traditions. The sessions were lively, educational and inspiring, allowing tribal students of Odisha to appreciate the depth of another region’s culture. The visiting artists not only shared their skills but also created a bridge of understanding between two tribal art heritages.

        In return, the students of KISS, including Jyotiranjan Gudia, shared their own indigenous artistic tradition: Soura painting. Originating from the Soura tribe of Odisha, this art form is known for its symbolic depictions of life, rituals and community stories. The exchange was truly a two-way learning experience, where the artists of Madhya Pradesh learned about Odisha’s cultural expressions while the KISS students discovered new techniques and traditions from another part of India.

        The moment of farewell was especially significant. As the visiting artist prepared to leave Odisha, he asked Jyotiranjan Gudia what he could carry with him as a memory that would last a lifetime. Jyotiranjan, who had already demonstrated his artistic skill, responded not with words but with action. He decided to create a live portrait of the artist himself, capturing his likeness with pencil and color in a short span of time. The portrait was more than a drawing it was a heartfelt gesture. With careful strokes, Jyotiranjan brought out the artist’s calm expression, glasses and warm personality. The finished work carried both artistic detail and emotional depth. It was not just a face on paper, but a living memory frozen in art, representing respect, admiration and the bond formed between teacher and student. When the portrait was presented, the Madhya Pradesh artist received it with visible joy. His smile in the photograph captures the gratitude and surprise of receiving such a personal gift. For him, the portrait became more valuable than any souvenir because it was made with thought, effort and affection. For Jyotiranjan, it was a way to honor a mentor who had given him knowledge and inspiration.

This moment also highlighted the ethos of KISS, an institution that not only educates but also nurtures cultural exchange, creativity and personal growth. KISS is unique in the world for providing free education, food, accommodation and healthcare to over 30,000 tribal students. Beyond academics, it gives space for art, sports and cultural traditions, ensuring that tribal identity is preserved while students grow into confident individuals. KISS has always encouraged students to embrace their talents alongside their studies. In this setting, Jyotiranjan’s skill in portraiture was recognized and celebrated. His decision to create a portrait during such a memorable event shows how KISS fosters values of respect, sharing and lifelong learning. The event was not simply about painting but about building human connections that transcend geographical and cultural boundaries. The exchange of Madhubani and Soura painting between the artist from Madhya Pradesh and the tribal students of Odisha stands as a beautiful example of India’s cultural diversity. It illustrates how traditional art forms, though rooted in different soils, share the same spirit of storytelling, identity and celebration of life. Both art traditions, when shared, became richer and more meaningful. Ultimately, the portrait presented by Jyotiranjan Gudia is not just an artwork it is a reminder of a cultural friendship that took shape at KISS. It symbolizes how art can create bonds between people of different regions, preserve memories of shared learning and strengthen India’s tribal heritage. For the Madhya Pradesh artist, the portrait became a lifelong keepsake. For Jyotiranjan, it was a proud moment of giving back to a teacher through his own creativity. And for KISS, it was yet another example of how the institution nurtures not just students, but also culture, art and human values.

 Jyotiranjan Gudia’s Portrait of Late Pradyumna Bal

Painting of Late Pradyumna Bal, founder of Odia Newspaper (Pragatibadi) by Jyotiranjan Gudia in 2015 at KISS, Bhubaneswar, Odisha.

Art has always been a powerful medium to preserve memory and honor legacies. In 2015, while studying in +3 second year at the Kalinga Institute of Social Sciences (KISS), Bhubaneswar, Jyotiranjan Gudia created a remarkable pencil portrait of Late Pradyumna Bal, the founder of the Pragatibadi Odia newspaper. The artwork, executed with precision using 8B, 6B, 2B and normal pencils, captured not only the likeness but also the essence of a visionary who left a deep imprint on Odisha’s journalistic and cultural landscape. This portrait became more than just a drawing; it became a symbol of respect, remembrance and artistic dedication.

Late Pradyumna Bal was not just a journalist but also a thinker, reformer and cultural figure of Odisha. As the founder of the Pragatibadi newspaper, he championed progressive thought and gave voice to the issues of the common people. His work as an editor and writer reflected courage and a commitment to truth, shaping the way Odia society engaged with politics, culture and reform. Remembered as a fearless intellectual, he stood for honesty in journalism and for the upliftment of society through informed discourse. His life and contributions remain a source of inspiration for generations, particularly in Odisha.

For Jyotiranjan Gudia, the portrait was not merely an academic exercise but a heartfelt homage. With each stroke of his pencil, he conveyed admiration for Bal’s ideals and legacy. His ability to capture expression and depth speaks to his keen eye and patience as an artist. The blend of soft and sharp shading techniques brought alive the warmth in Bal’s eyes and the wisdom in his expression. Displaying the portrait during Bal’s death anniversary at KISS in front of 25,000 tribal students gave the artwork a living context, connecting young learners with the values embodied by Bal. Jyotiranjan Gudia himself is not only an artist but also a scholar deeply committed to research on tribal culture and governance. His journey reflects a balance between creativity and academic pursuit. At KISS, he found a nurturing environment where his talents could grow and where he could use art as a bridge between memory and identity. His decision to honor a towering intellectual figure like Pradyumna Bal through art demonstrates his awareness of history, society and the role of cultural icons in shaping collective consciousness.

The Kalinga Institute of Social Sciences (KISS) deserves special mention here as the backdrop where this artwork was born. Founded in Bhubaneswar, KISS is recognized worldwide for providing free education, accommodation, food and healthcare to tribal students from Odisha and beyond. It has transformed the lives of thousands of indigenous children who once faced marginalization. Beyond education, KISS fosters talent in art, sports and culture, allowing students to express themselves fully. It was in this space of encouragement and inclusivity that Jyotiranjan was able to hone his artistic skills and contribute meaningfully to cultural remembrance.

The public display of the portrait in front of such a large audience of tribal students during the death anniversary of Pradyumna Bal added another layer of meaning. It was not just an exhibition of artistic skill but a collective act of respect toward a man who dedicated his life to progressive thought. For many of the students, the portrait served as a visual introduction to Bal’s contributions, ensuring that his memory continues to inspire even those who may not have directly known his work. In essence, this painting is more than graphite on paper. It is a bridge between generations, a visual narrative of Odisha’s intellectual heritage and a testimony to the power of art in education and remembrance. Through this portrait, Jyotiranjan Gudia honored a great son of Odisha while also inspiring young tribal students to look toward role models who embody courage, intellect and service to society. His work stands as proof that art, when nurtured in the right environment, can transcend boundaries of time and create a lasting cultural impact.

 Download Jyotiranjan Gudia's CV

Jyotiranjan Gudia's CV has given in bellow link:

https://drive.google.com/file/d/1yTdS4XlkX0dMhkU3i28A1m7W5no-NDcB/view?usp=sharing

or

https://www.scribd.com/document/904813375/Download-CV-of-Jyotiranjan-Gudia-pdf

From Workshop to Ph.D.: Jyotiranjan Gudia’s Research Path at KISS

Jyotiranjan Gudia receiving certificate at KISS campus 3 in 2017.

In 2017, when I was in my final year of +3, KISS had not yet been recognized as a university. At that time, the new administrative building on the KISS campus had been constructed but was not yet inaugurated. During this period, a workshop was organized where I presented an article on the socio-cultural aspects of the Didayi tribe, written on a drawing sheet. In the picture, I am receiving a certificate of appreciation for my presentation. The certificate was handed over by the then Deputy Registrar, Promod Patra Sir, who was also the first Research Director of KISS and former Principal. His encouragement and words of appreciation greatly motivated me in my academic journey. That workshop was a memorable moment for me, as it was one of my earliest opportunities to present my research interests in front of respected academicians. The appreciation I received there boosted my confidence and strengthened my determination to pursue research on tribal communities, which later became the central focus of my Ph.D. work.